Registered with the Registrar of Newspapers for India under R.N.I 53640/91

Vol. XXX No. 17, January 1-15, 2021

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Another hazy year ends for heritage

by The Editor

It cannot be denied that 2020 had much to occupy the powers that be and also the rest of us, in this our city of Madras that is Chennai. Given that matters concerning heritage receive scant attention even in normal years, it is no surprise that there has been even less in the one that has just ended. But if we let matters drift this way, we may soon end up having very little to show as far as our built heritage is concerned.

There have been some positive developments – the Chepauk Palace restoration is going on though the precinct has become more or less out of bounds unless you have matters pending before the National Green Tribunal. The work on the National Art Gallery in the museum complex is nearing completion. The High Court of Madras, and the Metropolitan Magistrates Courts are being tended to, as are some of the historic police stations in the city. The Raja Sir Savalai Ramaswami Mudaliar Choultry is looking resplendent though it is now just a sham structure, the portions to the rear that actually defined its purpose having been pulled down. That was done under the shelter of a judgement of the High Court of Madras that conveniently interpreted an earlier order to restore around 400 heritage buildings as pertaining only to the facades.

But a survey of several other heritage structures in the possession of the Government reveals a complete lack of a consistent policy. Victoria Public Hall remains a ghostly shell, as does Bharath Insurance Building, owned by the LIC. The Bank of Madras building on Rajaji Salai is awaiting restoration after a disastrous fire and nothing will convince us that the owners, the State Bank of India, lack the funds for getting on with it, several years after the conflagration. The faculty of the Government College of Fine Arts, Egmore, speak under strict anonymity that the buildings in the premises have begun developing cracks after the Metro became operational several feet below. On the beachfront, the Lady Willingdon Institute now sports an ugly new arm, stretching from west to east. It is yet to be completed, but it promises to be an eyesore when done. Not far from here, the Director General of Police’s headquarters, has in a classic instance of excess zeal, extended its colonnaded façade to completely hide the graceful outline of the art deco Forensic Department. Why this was done beats all logic but had there been an active heritage committee in place, this would not have happened.

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Heritage Watch

After a brief hiatus of a year or so, it appears that the heritage skyline facing the Marina is once again under threat.

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COVID’s impact on real estate

by Our Special Correspondent

Madras Musings reached out to P. Suresh, the Managing Director of Arun Excello, to understand how the city’s real estate industry has weathered the pandemic.

The first impact of the pandemic on the city’s real estate industry was when the lockdowns were enforced – construction came to a halt and a large chunk of the sector’s migrant labour force returned to their home states. “There were no sales at all,” recalls Suresh.

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The man behind the sachet revolution in India

by R.V. Rajan

Chinni Krishna.

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Memories of suburban theatres

Jayaraman Raghunathan recalls happy memories of the city’s erstwhile suburban queens of theatres, Eros and Jayanthi.

Saturdays were for Eros

The wedding was grand, and I was given a warm and pleasing reception by the parents of both the bride and the groom. Santha Sundara Mahal, the marriage hall, was spacious, well-decorated and could accommodate more than 800 guests. The food was exquisite and the aval payasam lavishly sprinkled with fried cashews was heavenly. But I felt a twinge in the corner of my heart, a curiously melancholic feeling of déjà vu.